ARTIST STATEMENT

TONG HUA

She intending find the hole and mending them. Her actions shows how much she can do in the context of attempting to fix. Therefor, currently some of her works are about healing, looking for the origin of human trauma, trying to cure, or drawing together people’s common feelings for incurable pain through her works.

Her work involves drawing, creating in public spaces, vocals, and performance. She prefers to explore the form and material that can maximum convey the idea she intending to interpret. Rather than fix the tone of interpretation. For the reason, her sparkling can be activated by the materials she found or the conversations she had. She likes to create artworks with the participation of audiences or cooperation with other artists.

She thinks that all her works needs to show the context of time, space, and human existence. Hence, the material she uses is inconsideration of let the nature element stay on or can be catch by. In addition of the actual art practice, the trace left by her action and how natural processing the marks made by her art practice be value as crucial component of her art works. She abscessed by the unpredictable effects of her art practice can bring for the world.

佟 桦

她在试图寻找伤痛并治愈。她用自己的行为实践她对于治愈人的心灵或者修复世界运行原理的探索和尝试。这种原动力促使她近期的作品着重于阐述找寻和治愈儿时记忆或者社会历史投射在个人身上的伤痕。在个性中寻找共性,在碎片中寻得世界共通的命题。

她的作品涉及到绘画、公共空间艺术、声音、表演等等。她并不局限于做自己擅长的某一个门类的艺术,或者使用某一种限定的媒介。她非常热衷于尝试不同的艺术门类和新的材料。意在寻找到能够最贴切转述她的某一个想法,和能够最有力引导观众思考的媒介或者艺术形式。她的想法时常借由和材料的接触或者与其他人进行交谈得到活性化。所以她非常在意自己作品的参与性。她很喜欢与观众共同完成作品,或者和其他艺术家共同完成作品。

她认为她所有的作品需要彰显出,时间、空间和人的存在共同构成的语境。因此,她倾向于使用能够捕捉到自然元素,或者允许自然元素停留的材料。对她来说,“不可预知性”是作品中非常重要的组成部分。在艺术家自己或者观众看得到的地方艺术开始发生,在艺术家和观众看不到的地方,浩瀚的时间如何消化、分解艺术创作留下的痕迹, 以及最终整个过程可以在多大的程度上影响到和人类、社会、自然,给世界带来或者带走什么。 对她来说是她所有艺术创作中最重要的组成部分。


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